Behind the walls of the Compound, LA’s most violent juvenile offenders await their trials. To their advocates, they’re kids. To the system, they’re adults. To their victims, they’re monsters. Who are they to you?
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How does a traumatic event shape a family? How do you sift through the memories to find hidden clues and unlock a collective grief? Kingdom of Us takes a look at a mother and her seven children, whose father’s suicide left them in financial ruin. Through home movies and raw moments, the Shanks family travels the rocky road towards hope.
In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.
The incredible, true-life story of a baby elephant born into a rescue camp in the wilderness of Botswana. When she’s suddenly orphaned at one month of age, it’s up to the men who look after her herd to save her life.
Michael Moore’s Capitalism: A Love Story comes home to the issue he’s been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).
Documentary filmmakers assert that Anthony Porter – a former death-row inmate who was spared the death penalty thanks to the efforts of a college journalism program – was actually guilty, and an innocent man was sent to prison.