The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.
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In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one’s personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression. A student, protégé and friend of German artist George Grosz, Cenedella is now passing on the legacy of Grosz’s approach to art, in the very same room where Grosz taught. In portraying Cenedella’s determination to buck the system of what’s popular while critiquing that popularity in his attempt to turn the art world upside down, ART BASTARD is a funny, touching, and insightful look inside the maverick mind of a true original.