When a family of swans make their home on the Peterson farm, it’s love at first sight for 10-year-old daughter Frankie. But along comes no-nonsense ornithologist Ginny Newsom, who rushes in to “save” the majestic birds. For Frankie’s dad Jack, it’s dislike at first sight when he encounters pushy, know-it-all Ginny. Frankie and her brothers are anything but neutral observers as they watch the initial hostility between their widowed father and the strong-willed Ginny transform into something else. Could that be romance in the air?
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Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a talented pianist disillusioned by the life her mother imposes upon her. An unlikely relationship is formed between the two and Eva becomes an obsession to Laura. In light of Eva’s unhappiness, Laura convinces her to runaway to her house and they soon find themselves caught within an intense entanglement. Manipulation, denial and codependency fuel what ultimately becomes a fractured dynamic that can only sustain itself for so long.
Summer of 1939. Zosia (Michalina Łabacz) is a young polish girl who is deeply in love with Ukrainian Petro (Wasyl Wasylik). They great love will be put to the test, when her father decided to marry her to wealthy widower Skiba (Arkadiusz Jakubik). Right after wedding she is left alone because her husband is drafted to polish army for the war with Germans. Meanwhile tensions between living side by side Jews, Poles and Ukrainians grows. The girl is a witness to an increasing number of acts of violence. Culmination of this tentions will be a slaughter of polish people by ruthless bandits of UPA and polish actions of self-defence.