The lives of urbanites intertwine in a world where anything can happen at any time.
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The movie is a drama based on Nishikawa’s novel about a writer in mourning after losing his wife in an accident. Motoki, played the apprentice undertaker in the 2008 Oscar winner “Departures.” Eri Fukatsu, who starred in Kiyoshi Kurosawa’s Cannes entry “Journey to the Shore,” will play the writer’s wife. Pistol Takehara, a boxer turned performer, plays the writer’s similarly bereaved truck driver acquaintance.
Professor Lawrence Wetherhold (Dennis Quaid) might be imperiously brilliant, monumentally self-possessed and an intellectual giant — but when it comes to solving the conundrums of love and family, he’s as downright flummoxed as the next guy.
In the glamour of 1950s post-war London, renowned dressmaker Reynolds Woodcock and his sister Cyril are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma, who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by love.
The Burlesque Lounge has its best days behind it. Tess, a retired dancer and owner of the venue, struggles to keep the aging theater alive, facing all kinds of financial and artistic challenges. With the Lounge’s troupe members becoming increasingly distracted by personal problems and a threat coming from a wealthy businessman’s quest to buy the spot from Tess, the good fortune seems to have abandoned the club altogether. Meanwhile, the life of Ali, a small-town girl from Iowa, is about to change dramatically. Hired by Tess as a waitress at the Lounge, Ali escapes a hollow past and quickly falls in love with the art of burlesque. Backed by newfound friends amongst the theater’s crew, she manages to fulfill her dreams of being on stage herself. Things take a dramatic turn though when Ali’s big voice makes her become the main attraction of the revue