You May Also Like
17 year-old Ree Dolly sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth.
Interior designer Olivia Wilson (Ambyr Childers) loses her job in New York. With newfound time on her hands she decides to head home to California to surprise her dad, Neil (Jim O’Heir) for the 25th anniversary of the family business, Wilson Family Movers. Upon arrival she meets the newest member of the Wilson team, Scott (Keegan Allen). With business coming to a halt, she and Scott work together to get things back on track. Just as the two begin to form a bond, Olivia is faced with a difficult decision when a worthwhile job opportunity pops up back in New York.
Six years have elapsed since Guantanamo Bay, leaving Harold and Kumar estranged from one another with very different families, friends and lives. But when Kumar arrives on Harold’s doorstep during the holiday season with a mysterious package in hand, he inadvertently burns down Harold’s father-in-law’s beloved Christmas tree. To fix the problem, Harold and Kumar embark on a mission through New York City to find the perfect Christmas tree, once again stumbling into trouble at every single turn.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.