A biographical portrait of a pre-fame Jane Austen and her romance with a young Irishman.
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Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
Brian Hooks plays a character who is just released from jail. And the state adopts a “3 strikes” rule for felons that involves serious penalties. Hooks has 2 strikes, and wants to change his life for the better. When a friend picks him up, they are pulled over, and his friend shoots at police officers, and Hooks escapes. Now Hooks, a wanted man, must clear his name of having nothing to do with the shooting.
Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father’s former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire’s exact opposite.