The lives and careers of four Asian-American rappers trying to break into a world that often treats them as outsiders. Sharing dynamic live performance footage and revealing interviews, these artists will make the most skeptical critics into believers.
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An exposé of comic proportions that only Chris Rock could pull off, GOOD HAIR visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
“Golden Voices Competition” is to be held this year at Terrell Christian College (TCC), but there’s one problem TCC does not have a choir. Georgia Mae Jackson (Irma P. Hall) who is the head of the music department has been challenged by the Assistant Dean Vickie Wilson (Tonea Stewart), to put a choir together in one month or lose her job. Georgia’s back goes out so she tricks her granddaughter, Sidney Nicole Taylor (Nikki Dixon) into taking over the choir for her. Sidney turns the college upside down when she hires a fallen, bad boy, R&B singer, Jax Rebel (Mario Mims), to help her with the choir. Dean Wilson finds out about Jax’s sorted past and threatens to fire Georgia if they don’t win the competition. Will, Sidney and Jax be able to save Georgia’s job?
It’s been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.
Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn’t done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev’s riveting and enraging documentary.