An exhausted, workaholic actress, Anna Baskin, 44, abruptly extricates herself from a successful but mind-numbing TV role, returning to her past life in New York to reinvent herself.
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Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn’t work without a special key which Hugo needs to find to unlock the secret he believes it contains. On his adventures, he meets with a shopkeeper, George Melies, who works in the train station and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past.
The sequel to House of 1000 Corpses – the Firefly family are ambushed at their isolated home by Sheriff Wydell and a squad of armed men guns blazing – yet only Otis and his sister, Baby, manage to escape the barrage of bullets unharmed. Hiding out in a backwater motel, the wanted siblings wait to rendezvous with their errant father, Captain Spaulding, killing whoever happens to stand in their way.
Forced to work under slave-like conditions in a “prison for profit” program, the inmates of a mostly-African-American female prison, Whitehead Correctional, try to take over the institution. At the core of the story is Frances, who finds herself in prison after being falsely convicted of murder, and who is told that her baby has been murdered, sparking her to lead her fellow inmates in the protest