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In You, Me and Him we meet lesbian couple Olivia and Alex (Lucy Punch, Faye Marsay) who, despite their age difference, are very much in love. But as the question of pregnancy rears its head and their neighbour John (David Tennant) befriends them, they both start making some truly disastrous decisions.
Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne…
Kevin is a 22 year old programmer from a small town hoping to sell his app. One girl makes him feel like a million bucks, the other a nervous wreck, but his relationship with both will make him realize what he really wants out of life.
When the teenager Mary Elizabeth Steppe, a.k.a. Lola, moves with her mother and two younger twin sisters from New York to the suburb of Dellwood, New Jersey, she has the feeling that her cultural and entertaining world ended. While in school, the displaced Lola becomes close friend of the unpopular Ella, who is also a great fan of the her favorite rock band Sidarthur. However, the most popular girl in the school, Carla Santini, disputes the lead role in an adaptation of Pygmalion with Lola and also the leadership of their mates. When the last concert of Sidarthur is sold-out, Lola plans with Ella to travel to New York and buy the tickets from scalpers. However, the girls get into trouble while helping the lead singer and Lola’s idol Stu Wolf, changing their lives forever.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?